Thursday, 10 December 2015
I have a rather close bond with Thespo - my favourite theatre festival. It provided me with great relief in what I see as the dark years of my identity crisis. Those were the days when parents worried about what I would make of my life. Keen on helping, they pressured me to choose between Chartered Accountancy and a Masters of Business Administration. I did occasionally cave into these pressures, but only to drop out of the various coaching classes I enrolled with. They realised that I would often miss my CA coaching classes to hang out to the office of Q Theatre Productions, which were the Thespo headquarters on 26 July 2005 – the day when torrential rains flooded Bombay like never before or since – and I had to stay there for a few days. They warned me not to waste my time with theatre thereafter. When I decided to not head their warnings, and to be part of the production team for the festival anyway, they asked me to choose between staying at home and Thespo. The choice was obvious. It was going to be the place where I had the space to think for myself, be respected for who I was, and which let my creative energies freely flow. I chose Thespo.
As luck would have it, we arrived in Bombay during Thespo, and there was no way I was
going to miss it. Braving jetlag and fatigue, I decided to go watch a few
performances at Prithvi Theatre, which is one of the festival venues. Curious
about the cultural scene in Bombay, Joline, Fabian and Tim (I will collectively
refer to them as JF&T) decided to join too. So, after the walk, we were off
to Thespo.